Fellini’s exquisite attention to every detail has produced a superb example of the best of cinema art, an entertainment for always.What counts as "cool" exactly? It's not easy to pin down: as a notion, "coolness" is both frustratingly intangible and constantly in flux. The rich detail of Guido’s imagination, the character’s fanciful exhumation of his own ghosts, the affirmation of life that he achieves are wonderfully played out, with faultless performances by the large cast, against extraordinary settings. Dreams and fantasies weave through his days until, at last, Guido is badgered to the brink at a press conference and commits symbolic suicide - a catharsis that creates a confirmation of life and love and his work in the cinema. Guido snaps to reality, joining his entourage to watch screen tests in a local theater, but drifts into a fantasy of a film critic being hanged from the balcony. In retreat from their dependency, he fantasizes, creating a harem of all the women he has known and in his dreams, he recalls his childhood in a sequence in which a fat prostitute entertains for the pleasure of schoolboys. Guido’s bitter wife, his mistress, his relatives arrive, the throng of idlers grows, each one begging him to get on with the show. His producer, staff, and actors, hoping to be cast in his opus, set up an office in the hotel and begin erecting an elaborate set on a nearby beach. While Guido (brilliantly played by Marcello Mastroianni) attempts to rest, a sorry group gathers. Urged by his doctors to rest, Anselmi heads for a luxurious resort, where he hopes thermal baths will help cure his exhaustion. His next production is ready to shoot, but his crisis of self confidence leaves him unable to cope. Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. 8½ is complex, challenging, cathartic and fearless, and it all begins so simply. 8½ is Fellini’s soul, a magnificently textured film that mingles dreams, reality and fantasy with a riot of visual imagery a comic extravaganza of overwhelming brilliance.
It has been studied, acclaimed and loved all over the world, it is a motion picture that can never grow old. Federico Fellini’s surreal self portrait, a triumph of art and imagination, is one of the indisputable cornerstones of a collection of great cinema.
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